The consortium members will promote Repertorium’s outcomes through workshops, conferences, publications, and educational initiatives, advancing the fields of musicology, musical practice, and sound processing while making an important contribution to the creation of musical AI systems that can evolve a sense of European identity, tastes, culture, and values by training on its heritage.
Open Source
Resulting optical music recognition tools for medieval and classical manuscripts, music information retrieval medieval cataloguing tools, and instrumental sound source separation and sound field reconstruction testing materials will be licenced under Creative Commons licences (Attribution, Non-Commercial, Share Alike, CC BY-NC-SA) and delivered to public repositories. All training data will be licenced as public domain and shared to allow for the reproducibility of the research. In those cases in which partners intend to seek patents for their machine learning algorithms, sufficient materials will be granted to ensure the reproducibility of scientific results while protecting the partner’s intellectual property.
Outputs
Publications
Pezzoli, M., Antonacci, F., & Sarti, A. (2023). Implicit neural representation with physics-informed neural networks for the reconstruction of the early part of room impulse responses.
Diaz-Guerra, D., Politis, A,, Miguel, A., Beltran, Jose R. and Virtanen, T. (2023) Permutation Invariant Recurrent Neural Networks for Sound Source Tracking Applications.
Cabanas-Molero, P., Munoz-Montoro, A., Carabias-Orti, J. and Vera-Candeas, P. (2023). Pre-trained Spatial Priors on Multichannel NMF for Music Source Separation. Forum Acusticum 2023.
Martinez Sevilla, Juan C. & Ríos Vila, Antonio & Castellanos, Francisco & Calvo-Zaragoza, Jorge. (2023). A Holistic Approach for Aligned Music and Lyrics Transcription.
F. Miotello, L. Comanducci, M. Pezzoli, A. Bernardini, F. Antonacci and A. Sarti, “Reconstruction of Sound Field Through Diffusion Models,” ICASSP 2024 – 2024 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Seoul, Korea, Republic of, 2024, pp. 1476-1480.
F. Miotello, P. Ostan, M. Pezzoli, L. Comanducci, A. Bernardini, F. Antonacci & A. Sarti (2024). HOMULA-RIR: A Room Impulse Response Dataset for Teleconferencing and Spatial Audio Applications.
Public Deliverables
D6.1 Communication, dissemination, and exploitation plan I
D6.2 Communication, dissemination, and exploitation plan II
D7.2 Data Management Plan I
Talks and Presentations
Lyon, France
August 26, 2024 → August 30, 2024
EUSIPCO 2024: 32nd European Signal Processing Conference
Lisbon, Portugal
June 27, 2024 → June 29, 2024
Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges
Costa Ballena, Cádiz, Spain
June 2, 2024 → July 5, 2024
IWSSPA 2024 (INTERNATIONAL WORKSHOP ON SOUND SIGNAL PROCESSING APPLICATIONS Satellite Workshop of CMMSE 2024)
KOR, Seoul
April 14, 2024 → April 19, 2024
IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP)
Madrid, Spain
November 8, 2023
Bibliotecas, datos, inteligencia artificial: las nuevas rutas del conocimiento
Milan, Italy
November 5, 2023 → November 9, 2023
International Society for Music Information Retrieval (ISMIR)
Turin, Italy
September 11, 2023 → September 15, 2023
Forum Acusticum 2023: 10th Convention of the European Acoustics Association
Pezzoli M, Antonacci F, Sarti A: Implicit Neural Representation with Physics-Informed Neural Networks for the Reconstruction of the Early Part of Room Impulse Responses. 10th Convention of the European Acoustics Association.
Helsinki, Finland
September 4, 2023 → September 8, 2023
EUSIPCO 2023: 31st European Signal Processing Conference
San José (California), USA
August 21, 2023 → August 26, 2023
ICDAR (Conference on Document Analysis and Recognition)
Juan Carlos Martínez Sevilla presented the work A Holistic Approach for Aligned Music and Lyrics Transcription.
Lisboa, Portugal
July 20, 2023
IIIF Neume Workshop
Presentation on Repertorium’s objectives and strategies with IIIF Neume Workshop, Centro de Estudios de Sociologia e Estética Musical, Colégio Almada Negreiros, Universidade Nova de Lisboa, hosted by Elsa De Luca for the project ECHOES