From score to sound

Repertorium will revolutionise music scholarship, enhance streaming revenues, and empower musicians.

A suite of AI tools to protect and explore Europe’s ancient musical roots and which develop out of this heritage innovative technological solutions to empower the future of the music industry.

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REPERTORIUM uses AI to digitise ancient and classical manuscripts, preserve European musical heritage, and create state-of-the-art sound processing technologies, including metaverse-ready immersive audio.

These technologies are the foundation of a general musical artificial intelligence that fully unleashes the powers of machine learning upon the domain of European classical heritage, advancing us towards a human-centred digital world.

REPERTORIUM is funded by the European Union through a Horizon Research and Innovation grant.

Digitising ancient manuscripts from the Solesmes archive for musicological study, thousands of hours of audio recordings, and creating linked databases for medieval and classical works.

Combining multimodal artificial intelligence and deep learning solutions to perform optical music recognition and music information retrieval across multiple music datasets.

AI-powered classical instrument sound source separation solutions with real-time sound field reconstruction. Split a symphony recording into its parts. Solo, remix or even mute a part.

Testing immersive technologies through streamed symphonic concerts. Choose your seat, move around, or experience it from the point of view of a musician on stage!

Revolutionising music scholarship, enhancing streaming revenues, and empowering music students to create minus-one versions of their favourite recordings.

The Future from our Past

R

esearching and

E

ncouraging the

P

romulgation of

E

uropean

R

epertory through

T

echnologies

O

perating on

R

ecords

I

nterrelated

U

tilising

M

achines

Repertorium is a Horizon Europe Research and Innovation Project funded by the European Union, with a focus on promoting European cultural heritage.

Join Us at the International Workshop on Sound Signal Processing Applications (IWSSPA) 2024!

Join Us at the International Workshop on Sound Signal Processing Applications (IWSSPA) 2024!

We are excited to announce the International Workshop on Sound Signal Processing Applications (IWSSPA) 2024, happening from today, 2nd July and until 5th...

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Repertorium Editorial Team
2 weeks ago
AI’s Transformative Role in Music Preservation and Dissemination

AI’s Transformative Role in Music Preservation and Dissemination

During last week’s panel discussion at Classical:Next 2024, experts explored the transformative potential of artificial intelligence (AI) in the music sector. Sara Arnsteiner-Simonischek...

Picture of Repertorium Editorial Team
Repertorium Editorial Team
2 months ago
If AI Only Had a Heart… Harmony for Artificial Intelligence and the Arts

If AI Only Had a Heart… Harmony for Artificial Intelligence and the Arts

ODRATEK’s founder John Anderson, one of the coauthors of the Repertorium Project, will lead a panel discussion with Fabio Antonacci (Associate Professor, POLIMI)...

Picture of Repertorium Editorial Team
Repertorium Editorial Team
2 months ago
Second General Assembly of the Repertorium Project in Milan

Second General Assembly of the Repertorium Project in Milan

The Second General Assembly of the Repertorium Project took place at the Politecnico di Milano’s facilities in Milan from April 4th to 5th,...

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Repertorium Editorial Team
2 months ago
Presentation on Neural Networks for Sound Source Tracking Applications

Presentation on Neural Networks for Sound Source Tracking Applications

David Guerra presented his paper Permutation Invariant Recurrent Neural Networks for Sound Source Tracking Applications at the 10th Convention of the European Acoustics...

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John
10 months ago
Presentation on Pre-trained Spatial Priors for Music Source Separation

Presentation on Pre-trained Spatial Priors for Music Source Separation

Antonio Muñoz, Pedro Vera and Julio Carabias presented their paper Pre-trained Spatial Priors on Multichannel NMF for Music Source Separation at the 10th Convention...

Picture of John
John
10 months ago

Project Kickoff Meeting - Alicante
Repertorium is funded through the European Union’s Horizon Research and Innovation programme under grant agreement N. 101095065 and will run until December 2025
Feb, 2023
Solesmes Digitsation Commences
Apr, 2023
Data management plan ready
Starting the AI-training for medieval OMR
Aug, 2023
AI SSS research commences
Oct, 2023
Linked Data Model
Cataloguing software complete
Dic, 2023
AI-training for medieval and classical OMR ready
May, 2024
Gregorian Concert of discovered novel chants
Nov, 2024
AI SSS research results, interface prototypes published
Dic, 2024
Recordings of discovered novel chants
Apr, 2025
Le Barroux recordings integrated in Neumz
Jun, 2025
Live symphonic concert - first test of immsersive streaming technologies
Demonstration Workshops begin
Sep, 2025
Live symphonic concert - first test of immsersive streaming technologies
Dic, 2025
forty.io and Sinfon.io ready for immersive streaming
Gen, 2023
Algorithmic SSS research commences
Mar, 2023
Recordings Commence - Orchestral Sound Samples / Le Barroux chants
Jun, 2023
Conversion tools between digital scores format ready
Sep, 2023
Training set of immersive audio for AI ready
Dic, 2023
42,000 chants manually catalogued
Mar, 2024
Le Barroux Recordings complete
Jul, 2024
Audio-to-Score sync technology ready
Dic, 2024
84,000 chants manually catalogued
Gen, 2025
Tools and Interfaces Tested
May, 2025
Live Opera Concert from DIDONE project
Jul, 2025
Immersive Streaming tool and interface published
Oct, 2025
Solesmes Archive Catalogued on DIAMM
Dic, 2025