Gregorian Chant Session 2025 at Solesmes Abbey: Reconnecting Music, Research, and Innovation

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Repertorium Editorial Team
- 1 week ago
participants of the 2024 Gregorian Chant Session

The REPERTORIUM project is pleased to share news of a major initiative from one of its key team members, Association Musicologie Médiévale, which is co-organizing the upcoming Gregorian Chant Session 2025 with the Abbey of Saint-Pierre of Solesmes. Taking place from July 6 to 11, 2025, this in-depth session invites musicians, scholars, and chant enthusiasts to explore Gregorian chant at the very abbey where its modern revival began—a site deeply rooted in musical tradition, liturgical heritage, and scholarly research.

2025 Gregorian Chant Session poster

This year’s session offers far more than a historical retreat. While grounded in the enduring practices of chant, it will also spotlight cutting-edge research and technological perspectives, exploring how Gregorian chant continues to evolve in today’s musicological and digital landscape. In addition to its central role in REPERTORIUM, Association Musicologie Médiévale is also part of the team behind Neumz, the world’s largest digital project for Gregorian chant—a collaboration that reinforces the link between tradition and innovation.

What to Expect in 2025

The 2025 session brings together an exceptional team of international instructors and scholars. Participants will benefit from:

  • Workshops and lectures focused on modality, psalmody, neume notation, and chant transcription—combining theoretical exploration with hands-on engagement.
  • new research-driven approach to modality, led by Dominique Crochu, which will explore melodic restitution, the role of B-flat, and the interpretation of manuscript evidence in light of recent discoveries.
  • Historical perspectives on the development of chant, including a closer look at Saint Chrodegang of Metz, whose role in shaping early chant helped lay the foundations for the practices later revived by Dom Guéranger.
  • Practical instruction tailored to both musicians and researchers, with sessions on rhythm, phrasing, and the dynamic interaction between melody and text.

This year’s program also introduces a dedicated English-language course track—a first for the event—broadening access and inviting new international audiences to participate in the shared work of preserving and advancing chant traditions.

Bridging the Past and Future of Chant

The Gregorian Chant Session 2025 reflects a broader vision shared by its organizers: to foster a living tradition that speaks not only to history but to today’s global musicological and technological communities.

As part of both REPERTORIUM and NeumzAssociation Musicologie Médiévale brings a unique perspective to this endeavor. Their work spans chant performance, scholarly editing, paleographic research, and digital accessibility, bridging academic inquiry with real-world tools for transmission and education.

Neumz, for instance, offers the full cycle of Gregorian chant recordings alongside aligned texts, translations, and notated scores—an unprecedented resource for performers, developers, and researchers alike. The Gregorian Chant Session thus serves not only as a learning experience, but also as a platform where technological innovation and manuscript-based research converge.

Far from being solely a liturgical or devotional gathering, the 2025 session is a multidisciplinary initiative at the crossroads of music history, pedagogy, and digital humanities. With the resources of the Atelier de Paléographie Musicale at Solesmes, and the input of contributors deeply engaged in both chant studies and digital documentation, participants will have rare access to the intellectual and material foundations of the chant tradition.

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Join Us at Solesmes

Whether you’re a singer, musicologist, student, or technologist exploring sacred sound traditions, this session offers the tools, community, and context to deepen your engagement. The setting—Solesmes Abbey, a center of chant revival for over 150 years—provides both historical resonance and academic richness for a truly immersive experience.

🗓️ Registration is now open for the Gregorian Chant Session 2025, but places are limited.

📘 Learn more about the session
📝 To secure your spot, register now

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The Project

REPERTORIUM uses AI to digitise ancient and classical manuscripts, preserve European musical heritage, and create state-of-the-art sound processing technologies, including metaverse-ready immersive audio. These technologies are the foundation of a general musical artificial intelligence that fully unleashes the powers of machine learning upon the domain of European classical heritage, advancing us towards a human-centred digital world.